Boots Not Made For Walking




These boots are made for walking, Nancy Sinatra told us in the 1960s. But it seems these days, these boots and shoes are made for tottering into a function looking like you’ve already drunk a bottle or three of wine.  The vertiginous heels you see women stumbling about in are certainly not made for walking.

I was watching the celebs stagger into an awards ceremony and only one thing occurred to me: “Why? Dear God, why?”

It pains me. Not the shoes, because  I don’t wear these towering five or six inch heels, having given up fashion for comfort some years ago.

It pains me because of what these shoes represent. Why are women hobbling themselves so they can’t stride out and take their rightful place in the world? Is looking good more important than being strong? In my view it is the equivalent of Chinese foot-binding – designed to keep women in their place.

Let me give you a little history lesson.

You can’t hear me but I’ve got my lecturing voice on – the one that makes my nephews’ and nieces’ eyes roll back into their heads with the expression, “I suppose I’d better look as if I’m listening to the boring old fart.”

Back in the mists of time it became the custom in China to bind tightly young girls’ feet so they couldn’t grow.

It was considered attractive and men liked it – of course they did, for some scholars say foot-binding subjugated women by making them more dependent on men. It restricted their movements and enforced their chastity, since women with bound feet were physically incapable of venturing far from their homes.

Let me tell you this process in detail (turn away now if you are squeamish).


Take a child of between four and seven and soak her feet in warm water or animal blood with herbs. Cut her toenails and give her a foot massage. So far, so good.... except for the animal blood.

But then you have to break all the girl’s toes except the big toes and wrap the feet extremely tightly and painfully in cloth, forcing those broken toes back towards the heel.

Each day, unwrap the feet and rebind them, pushing the toes back under the foot arch which will break under the strain.

This means the feet never get beyond three to four inches (7.5cms to 10cms) in length. If you can’t imagine how small this is, take a look at a ruler or tape measure.



In a euphemism that beggars belief to 20th century ears, this was called turning your feet into three- inch “golden lotuses”.  And these “golden lotuses” were seen as the ultimate erogenous zone, with Qing dynasty pornographic books listing 48 different ways of playing with women’s feet.

Personally I’d rather have huge clown feet which no one except a chiropodist ever touched, but that’s probably just me.

Thankfully, footbinding was banned in 1912, although some of the more rural Chinese villages continued the practice quite late into the 20th century.

Now, however, "hobbling" feet has become a status symbol yet again, although it's something women have done to themselves rather than have it imposed on them by men.  

Women who gasp in horror at any unhealthy junk food passing their lips don't seem to mind the prospect of  bunions, bony growths, hammer toes, foot pain and “pump bumps”, where straps and the rigid backs of pump-style shoes cause a bony enlargement on the heel.

I know, I’m old and boring, and admittedly some of these shoes do look rather stunning. But as my mother used to say to me when I refused to wear my school mac out in the pouring rain: “Pride feels no pain.”



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Partwork Pitfalls



Much as I would love to crochet my own lifesize model of the The Santa Maria ("In fourteen hundred and ninety-two, Columbus sailed the ocean blue…"), I won't be buying a partwork magazine which teaches me how to assemble it and supplies the wool.

For my readers overseas who might not be familiar with the partwork magazine concept, they are publications on sale each month that usually have a "free gift" towards building a model, learning how to do something or starting a collection.

I'm using the word "free" loosely, as although the gift may be free, the magazines certainly are not. The publishers often sucker you in with a low priced first issue, a reasonably priced second issue and thereafter magazines costing so much you need to take out a mortgage to create a six-inch high model of Kim Kardashian.

Hence there was the magazine which provided parts to build the Mallard locomotive. The first part was a mere 50p but subsequent issues cost £7.99 ($10). There were 130 parts so the cost of completing this model locomotive was a staggering £1,031.21 ($1,300) - and it would take you two and a half years to do it.

Then there was a recent partwork series that taught you how to draw. Free gifts over the series included a pencil, ruler, rubber, paintbrush and paints. Sounds great, doesn't it? Until you realise the magazines were £5 each and the series was 100 issues. How many respected instruction books or actual lessons could you buy for £500 ($640)?

Undeterred you embark on a mission to build the Eiffel Tower and ending up paying out more than the cost of the original structure!

There is always the possibility that things could go horribly wrong. The publishers could go out of business mid series or your local newsagent could stop stocking the magazine. One man spent three years and £350 ($450) on a series of magazines teaching him how to build a model of The Bounty, only for six of the pieces he sent away for to go missing in the post - and no more pieces were available at that time. To say he was not best pleased is an understatement - in fact he mutinied (see what I did there?).

So if the urge ever comes over me to buy a series of magazines teaching me how to build Ironside's van, I will instead get a kit. Think there's no such kit available? Think again!



Before you leave:

You can follow me on: Facebook, Twitter, Instagram, and Pinterest. As you can see, I have far too much to say for myself.
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